The Old Texts - Part 16th, 7th and 8th centuries |
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Attributed to
Emperor Wudi (561 - 578), founder of the Northern
Zhou (Beizhou) dynasty of China, and evoked in ulterior
texts as the Zhoushu, "Book
of the Zhou Dynasty",
written by Linghu Defen (583-661), the Suishu by Wei
Zheng (580-643) and
the Beishi, "History
of the Northern Dynasties", by Li
Yanshou (612-678). In
the Suishu it is written: "When
Zhou Wudi made the Xiangjing, the now deceased emperor
casually asked Zheng: What is the place of the ruler
of mankind, should he unify heaven and earth, should
he move the ghosts and spirits, like in the Xiangjing
with many binding rules, how shall I govern?". Was this game Xiangqi? Maybe not, it
is believed that it was
an "astronomical game".
Text made up in an
obscure language by the General Yu Xin (513 - 581) who estimated that "all the things are shown in this game
in the most perfect proportions". In a letter accompanying the
presentation of his poem to the throne, it appraises the
emperor who managed to represent the order of the world
in his game. On a square board, "carrying out in the south the tallies
from Red river, carrying out in the north the tactics
from Black mountain".
According to the German historian Banaschak, this text
was composed in or shortly after 569.
Unfortunately, the
Xiangjing is no longer extant, however a preface written
by Wang Bao (died in 576 or 581) has been
conserved. It says that the game was supposed to
represent the 12 phenomena: Earth and Heaven, the Yin
and Yang principles, the passing of seasons, the eight
trigrams, the musical scale, loyalty and filial piety,
lord and vassal, civil and military, rites and virtues.
All this refers to several philosophical Chinese schools
of the times. Bao's preface also explains that the
pieces were moved on a board and that both strategy and
military thoughts played a role in the game. Therefore,
it is by no doubt a book about a "Xiangqi" but several
scholars and specialists think that it is an homonym
case and that this Xiangqi would be an astronomical
game, Xiangxi, used for divination purpose, where
pieces represented sun, moon and planets. The "Book of celestial game" would be a better translation of its
title. Nevertheless, it can not be excluded that this
game has played a role as a precursor of some elements
of modern Xiangqi.
Indian
romance written by Subhandu, around year 600 (or much earlier, in the second half of
the 5th century, under the Gupta Empire). It
tells the story of the princess of Ujjayini and
contains a short intriguing passage: "the time of the
rains played its game with frogs for chessmen,
which, yellow and green in color, as if mottled with
lacquer, leapt up on the black field squares". Murray accepted it
for a Chess reference. However, it is not a solid
proof. The word translated as "game pieces" (nayadyutair) is not specific to
Chess and can indicate the pieces of any board-game.
The colors are not those of the two camps, but mean
that the frogs have a yellow and green dress. Finally,
"black field squares" can be also translated by "black
edges of the irrigated fields". In any case,
chessboards used by the Indians were not uniform and
not checkered, the black squares being an European
medieval invention.
Also
known as "Madayan i chatrang" or simply named "Chatrang namag" (The book of Chess)
by Murray. The dating of this text is contested as the
most indisputable and oldest manuscript was copied in
India in 1322. Murray gave 650-850 and, until
recently, historians were believing that the text was
from the 9th century. However, the Italian professor
of Iranian philology Antonio Panaino explained in a 1999 study that its anonymous
author was, with good probability, a secular literate
once at the court of Xusraw (Khosraw) I (531-579). That would give a
writing about the first years of the 7th century.
Epic text written
in Pahlavi, middle-Persian, to honor Ardashir, the
national hero. It tells the life of Ardaxshir (Ardashir)
1st, founder of the Sassanid dynasty and which reigned
from 226 to 241. This text was probably written during
the reign of Xusraw (Khosraw) II (590 - 628) but its
first mention is only in 943-4. It reports that Ardashir
was "more victorious and warlike than them all, on the
polo and the riding, at Chatrang and New-Ardaxshir (it is Nard, ancestor
of Backgammon), and in
several other arts". If it is improbable that Chatrang
existed so early, it remains nevertheless that this game
was held in high regard in Persia at the time of writing
the Karnamak.
Official history of king Shri Harsha (Harsha the blessed) of Kanauj (606-647), written by the poet of court Bana between 625 and 640. Kanauj is the old name of Kanyakubja, a city which was a powerful Indian kingdom on the Ganges valley. The king was famous for his conversion to Buddhism. Bana, praising the prevailing peace, said: "Under this monarch, only the bees quarreled to collect the dew; the only feet cut off were those of measurements, and only from Ashtapada one could learn how to draw up a Chaturanga,there were no cutting off the four limbs of condemned criminals...". All the text plays with puns. If there is little doubt that Ashtapada is the gaming-board of 8x8 squares, the double meaning of Chaturanga, as the four folded army, is controverted. There is a probability that the ancestor of Chess was mentioned there. However, some historians disagree and see in this text an allusion to the giant Purusha, often represented with his limbs folded on a square 8x8 or 9x9 diagram. The Vedic mythology says the Gods caught him with a net and cut his legs and arms. With his sacrifice, the World was created. Here could lie the explanation of the pun. The point remains open.
Also known as
"Xusraw u retak". That small text, probably written in
the 7th century under the Sassanids, is dedicated to the
education of the young princes under Xusraw I Anosharwan (Khosraw Anushirwan)
(531-579). One of them teaches us that he "excels with
Chess, Nard and "8 cases" ("ud pad chatrang ud
new-ardaxshir ud hashtpay"). Hasht-pay is the Persian word for Ashtapada.
Therefore, Persians also knew Ashtapada!
Fazang (645-712) was a Chinese Buddhist monk (but of Sogdian origin) who evoked "Prasena" in his text in these terms: "Prasena was a military game in the Western Region (Central Asia) and two players each have more than twenty small jade tokens which serve as elephants and horses and these must takes strategic command of all roads on the board." Was this Prasena a Chess-like game like Chatrang or is it the earliest testimony about Xiangqi?
The Arabs
conquered Persia in 638-651 and then discovered the
game. The first Arabic
reference to Shatranj is a verse containing the word "baidaq" which means the "Pawn" in an
al-Farazdaq's poem published in 728: "...you remain a Baidaq (Pawn) among
the Bayadiq (Pawns)".
This technical allusion to the Pawn's promotion shows
that the game was fairly known.
Code of a great
school, founded by Abu Hanifa (died 767), which was the
official canon under the 'Abbasids. It forbade Nard and
disapproved Shatranj (but did not forbid it). The other
great schools were the Malikite, founded by Malik ibn
Anas (died 795) who was strongly opposed to Shatranj,
the Shafi'ite, founded by ash-Shafi'i (died 820) who
allowed it as long as it was not played for recreation,
and the Hanbalite, founded by Ahmad ibn Hanbal (died
855) who agreed with Hanifites.
A famous romance,
with strong incertitude on its real author and its date
of composition. There would be a scene where the hero,
Apaharavarman, would have observed a game of chess. (If you have more information about
this passage, please contact me). |
The Ambassadors from India present the Chatrang to Khosrow I Anushirwan, "Immortal Soul", King of Persia
Thanks to Sylvestre Jonquay, Peter Banaschak, Gerhard Josten (for an interesting discussion about Harshacharita), to Thierry Depaulis (for discussion about Hashtpay).
References:
H.J.R.Murray, "A History of Chess", Oxford, 1913.
Antonio Panaino, "La novella degli scacchi e della tavole reale", Mimesis, Milano, 1999.
Peter Banaschak, "Facts on the origin of Chinese Chess (Xiangqi)", 4th Symposium of the I.G.K, Wiesbaden, 1997 and other works available on his website.
Andrew Lo and Tzi-Cheng Wang, ""The Earthworms Tame the Dragon": The Game of Xiangqi" in Asian Games, The Art of Contest, edited by Asia Society, 2004
Part 1 |