Liubo

Liubo is one of the most mysterious game of the whole Human history. Liubo is a ancient Chinese board-game whose rules are forgotten. However, since three decades, several studies have been done, backed by several archaeological findings. Most of the information given here are drawn from Hermann Josef Röllicke's paper (Von « Winkelwegen », « Eulen » und « Fischziehern » - liubo : ein altenchinesisches Brettspiel für Geister und Menschen) published in Board Game Studies n°2, 1999. Also, I should thank here Thierry Depaulis who informed me of his personal understanding related to this game. However, what is expressed reflects my view only and can not be attributed to other authors.

The name Liubo comes from Chinese (liu = six, bo = sticks). This game was played in ancient China, at least since the Zhanguo (The Warring States) era (4th c. BC) and maybe much earlier (7th c. BC) as it is evoked in Confucius' Analects (Book XVII, 22): "It is difficult for a man who always has a full stomach to put his mind to some use. Are there not players of liubo and weiqi? Even playing these games is better than being idle."

Puddingstone footed Liubo Board (41.5x41.5 cm) inlaid with bone with four ivory Liubo pieces.
Han dynasty, 206 BC - AD 220.
From E&J Frankel gallery, New York.

Apparently very popular during the Han dynasties (207 BC - 220 AD) when the best players were well respected and formed a corporation, it later vanished, probably outshone by the Chinese adaptation of Nard (a Backgammon ancestor) coming from India and Persia when the Tang (618-907) re-opened the Silk Road. The very last reference dates from the Song time (before 1162) where it was quoted as an “old game”. Archaeological findings are not scarce and there are quite a few literary evocations, nevertheless, nobody knows what the rules of the game were.

I have worked on a reconstruction of the game. The results has been published by Abstract Games (Issue 15 Autumn 2003).

The proposed rules are given on this page: Liubo reconstructed rules

Liubo board and its drawing showing the classical “TLV” pattern as found in Zhongshan, 4th c. BC. 
(Photo from Maurizio Scarpari,"Chine ancienne", Gründ, Paris, 2000)

Especially intriguing is the board whose pattern is found in other artefacts like the famous “TLV” bronze mirrors from the Han dynasty. Its cultural connection is almost explained and understood, but it still resists in delivering any clue on how it could have been used for playing!

 Some TLV bronze mirrors

The round mirror has a round knob, which is surrounded by nine smaller knobs. Four characters - "chang yi zi sun (to benefit future generations forever)" - are inscribed respectively inside the four squares framed with double-line wave patterns at the four corners. The inscriptions on the outer edge include some squares, with main decorative patterns being regular ones, which surround the azure dragon, white tiger, vermilion bird, black tortoise, auspicious animals etc. The mirror is also decorated with patterns of the variations of "the four divine creatures" and has shiny rust scales like those on an ancient coin.

That pattern bears a lot of symetry. Similar forms can be found in rather surprising artefact. Take a look at this very elegant cup from the Warring States era (475 - 221 BC). Isn't pattern familiar?

A splendid "cup with ears"
(Photo from Maurizio Scarpari,"Chine ancienne", Gründ, Paris, 2000) 

The board and its pattern carried a strong astronomical content. Compare with a Chinese compass.

Ancient Chinese Compass

Many theories have been advanced to explain what kind of games Liubo was. Murray did not cite that name but seemed to evoke it with a “Luk tsut k’i (or Liuziqi in Pinyin, six men game)” which he presented as an alignment game much like Merels . For many, Liubo had certainly given birth to Xiangqi, the Chinese Chess .This presentation is often made on Internet sites presenting the history of Xiangqi. I think it is exaggerated, however, some influence of Liubo on Xiangqi should not be discarded too quickly (marking of the board, presence of a river, presence of a King and 5 Pawns, …).

Also, it is not impossible to guess a board with squares beneath the Liubo board. A connection with the Ashtapada or a proto-Xiangqi board is not impossible even if proofs are lacking today.

A 8x8 squares or 9x9 points board beneath the Liubo board

Today, most authors (Lhôte, Parlett, Li,...) and specialists believe, with good sense, that Liubo was probably a chance game, a sort of race game with captures.

The board was independently used for divination. This is not surprising as this happened also for many other race games in other civilizations. Maybe the Liubo board had been inspired by those tortoise shells that ancient Chinese put on a fire to see what cracks would appear on the obverse side. By interpreting the cracks the soothsayer predicted the outcome of an event. The tortoise shell looks like a rectangle with corners cut and the cracks are like segmented lines. Is there a link ?

A wooden slip has been excavated in a tomb at Yinwan in 1993 presenting a Liubo-like diagram along with a chart of characters addressing several oracles. A full explanation of the divining process has been recently proposed (ZENG Lanying (Lillian L. TSENG), « Divining from the Game Liubo : An Explanation of A Han Wooden Slip », China Archaelogy and Art Digest, « Fortune, Games and Gaming », Vol.4, n°4, October-December 1999). Although nothing proves that the moving sequence was identical for both the game and the divination, this work brings some light on the allowed positions and the path between them.

Diagram found on a wooden slip at Yinwan (from Zeng Lanying)

Reconstruction diagram proposed by Zeng Lanying where the 60 days of the Ancient Chinese hexadecimal cycle can be located for divination purpose

The game material also comprised two sets of stones (qi) – 6 white and 6 black – made from ivory, bone, bronze or jade, and 6 split bamboo sticks presenting a flat and a bombed faces.

It is clear that the players did not simply throw the sticks, but they rather placed them in order to interpret them. Then, the results was comparable to the famous hexagrams, related to the Tao philosophy, and the Yijing, the Book of Changes. Made of six continuous or dotted lines, representing the yang and the yin principles respectively, they were the key of the Chinese astrology.

A set of liubo tools for entertainment was unearthed from Tomb No. 3 at the Mawangdui Site. The set is composed of a board, 12 big chess pieces (six black ones and six white ones), 20 small chess pieces, 42 chips and a dice, all of which are in a special lacquer box. These tools are especially designed for liubo games. 

Bamboo sticks for the yijing
From Royal Ontario Museum.

Sometimes, the material includes one or two complex 18 sided-dice as an alternative to the bamboo rods.

18-sided Chinese dice, unearthed from Tomb no. 3 at Mawangdui, Western Han dynasty
From Royal Ontario Museum

18-sided dice, China, Han dynasty (206 BC - 220 AD).
Top: bronze inlaid with gold, silver, turquoise, agate and rock crystal, diameter 3.5 cm.
Bottom: lacquered wood: diameter 5.1 cm
(from Asian Games The Art of Contest, Asia Society, 2004)

Liubo dice?

The illustrations often show an auxiliary surface, the boxi, where the players could arrange the sticks to interpret them.

The Liubo appears to have borne a strong mystical spirit and its board was at the same time a cosmological, a calendar and a divination instrument.

 
Two "immortals" playing Liubo. Relief on mortuar brick. 

Han Pictorial brick. The picture is partially damaged. There are two winged immortals sitting in a half-kneeling position, playing liubo. Another winged immortal at the left bottom is holding the rein of a divine horse with both hands. The horse, raising its head and neighing, looks as if it's about to gallop. A crane is behind the horse and a winged immortal is standing in front of it with something in his hands.

 
Liubo players. Eastern Han dynasty, 1st-2nd century AD
The figures in this group are gambling. They are playing Liubo, a game thought to be popular among both mortals and immortals. The board is marked with divination symbols, and the game pieces show the animals of the four directions: the White Tiger (West), the Green Dragon (East), the Vermilion Bird (South) and the Tortoise, with a snake coiled around its body, known as the Dark Warrior (North). The models are made of earthenware, covered with a green lead glaze. Lead glazes were used only for burial goods, because they are poisonous. Height: 25.6 cm
From British Museum, London.

Pottery figurines playing Liubo. Han dynasty, 206 BC - 220 AD. Unearthed at Lingbao, Henan. h=24 cm..
From Henan Museum, Zhengzhou.

Looks like the same artifact

Tomb figures of two Liubo players, table and board, ceramic. Eastern Han dynasty.
From Royal Ontario Museum.

Three Capped Men (Probably Two Players and One Observer) Kneeling around a Low Table and Playing Liubo
China, Eastern Han period, 1st-2nd century
Lead-glazed ware: Molded, brick red earthenware (the game board made separately from the table), with degraded, opalescent, emerald green, lead-fl,
Each figure: 17.0 x 12.5 x 11.0 cm; Table: 5.5 x 26.5 x 23.5 cm;
Game board and affixed pieces: 2.0 x 16.0 x 12.0 cm 
From Collection of Anthony M. Solomon, Photo by Maggie Nimkin, Harvard University Art Museums

Liubo game in process, Han dynasty. Red pottery. One can see the rods scattered as thrown by the left player. On the board, one piece seems bigger than the others. It could be the xiao (leader, owl).

Liubo players at play, Eastern Han dynasty
(Photo from Maurizio Scarpari,"Chine ancienne", Gründ, Paris, 2000) 

Set of Liubo Game Figures 1st cent. BC - 1st cent. AD Chinese, Han Dynasty
Photo by Katherine Wetzel © Virginia Museum of Fine Arts 

Set of dice players, Western Han dynasty
(Photo from Maurizio Scarpari,"Chine ancienne", Gründ, Paris, 2000) 

Liubo board with four game figures, Western Han dynasty, 206 BC - 8 AC. Bronze. Museum of Autonomous Region Zhuang of Guangxi. From "Archéologie chinoise, trésor de la Région du Guangxi", Somogy, Paris, 2003

A very nice website on Liubo from which several pictures have been borrowed. Many thanks:
http://www.cultural-china.com/chinaWH/html/en/11Kaleidoscope2115.html

Le liubo "six bâtonnets" est un jeu de pions pratiqué dans la Chine antique à partir du VIIe-VIe siècle avant J.-C. Son âge d'or se situe à la fin de la période Zhanguo (IVe-IIIe siècle avant J.-C.) et sous les dynasties Han (200 avant J.-C.-200 après J.-C.). Le jeu disparut au cours du XIIe siècle. Le dessin du tablier de jeu est le prototype d'un motif cosmologique que l'on retrouve sur des mirroirs de bronze et qui pouvait être utilisé indépendamment pour la divination. On employait six bâtonnets de bambou. Pour le jeu, on pouvait aussi utiliser un ou deux dés à la place des bâtonnets afin de déterminer les mouvements des douze pions (six pour chacun des deux camps).

Les règles précises du jeu ne sont pas connues mais de nombreux fragments littéraires nous permettent d'éclairer le fond mythologique, ainsi que les personnages historiques impliqués dans le jeu et le contexte démonologique de ces scènes. On considérait que le jeu était joué aussi bien par des humains que par des immortels. Au cours de ces dernières décennies, quelque vingt sites archéologiques ont été fouillés mettant au jour, entre autres, des tabliers de jeu et des ensembles complets d'accessoires. En outre, un grand nombre de scènes en relief sur des briques, des sarcophages, des mirroirs de bronze et des céramiques, ainsi que des figurines complètes en train de jouer ont été découvertes.

« Quand on ne fait que boire et manger toute la journée, sans appliquer son esprit à aucune occupation, qu’il est difficile de devenir vertueux. N’a-t-on pas des tablettes et des pièces ? Mieux vaudrait se livrer à ces jeux que de rester à ne rien faire." Confucius

Retrouvez le Liubo dans "Du Senet au Backgammon ; les jeux de parcours"